PORTFOLIO BODY POSTURE  

              This collection of work was created and collected by Samuel Bannister

Arielle Bobb-Willis

This image is taken at the back of my house in the garden. The shoot was taken while it was snowing which created these white spots in the image, which I may try edit out of the image to preserve the look of the original photos. The bright clothes used are similar to the clothes Arielle Bobb-Willis uses in her work. The idea for the body posture used in the image came from both the idea that the entire body of the model could be covered and that the image could contain a type of visual confusion by rotating the canvas which would make the image more interesting. These two ideas are also reflected in the artists work, her images conceal the main identity or features of the model with bright clothing or props and a few of her image rotate the image to make the photo more bizarre to view. In some of her work the main model uses a skirt of trousers over the face of the model. To edit this image I will try rotating the canvas, editing the white spots and altering the brightness of the background to mirror the overly colourful look of the original artist.

Erwin Wurm 

This image was taken in the school sports hall. I used the leading lines of the bricks on the walls background to allow the focus to remain on the model. I also used the lines on the floor of the hall and the light in the background to frame the model within the light and within the lines making the model perfectly central. To det up the shot I used clothing similar in formally to that of Erwin Wurms work but made the outfit more messy with the shirt untucked and trainers rather than formal shoes. I used the idea of temporary poses (found in his 10 second sculpture project) with the model holding a stack of red plastic cups that would easily fall if they let go. The covering of the face came from the sense of isolation found in Erwin's photos which also inspired the location and pose making the model look small and alone In the frame. To edit this photo I will remove the whiteboard and black metal hook from the background. I will also crop the frame smaller and desaturate the photo slightly to add to the isolation. I may also try a fully desaturated black and white edit or editing the light source at the top of the frame to be symmetrical on both sides to fully frame the model within the centre. 

I used Philippe Halsman's "Jump" photography project as a basis for this photoshoot. I used studio and ambient lighting in the set up for this shot. I used a tripod to be able to adjust the hight angle of the camera and a 5 second timer along with fast shutter speed (1/400) to capture myself mid-air. I dressed in a suit and tie to help mimic the fashion warn by models in Halsman's project. The idea of using playing cards came from the element of magic within the shots, the idea of levitation and the formal dress as well as the plan to present the look of a stationary scene while actually using movement. To edit this shot I will remove the stretch lines and shadow on the backdrop before extending the background to fit the entire frame, then I will layer the cards I shot while they were in the air, over the image to make it seem like it is all happening at once. I will finally desaturate and add noise to the image and crop the photo as to not leave too much blank space. If I were to retake this shoot I may try lighting the shot from behind or inside the backdrop which would eliminate any shadow made by the model, I may also have tried to pull a stronger, more emotive face expression as Halsman's work commonly included.​
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